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Inside Designer Ivy Dane’s Pattern-Filled Life
Dane’s dining room and parlor are both filled with second-hand treasures. Her Art Deco dining set has been central to multiple iterations of her home. “I’ve had this table since 1990,” says Dane. “This table has seen many a meal, many a poker game, and lots of production work.” The starburst chandelier came from a second-hand office supply store in Austin. “I bought four for $100,” she says. Credit: Winona Barton Ballentine
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Inside Designer Ivy Dane’s Pattern-Filled Life

From a Texas bungalow to a Village apartment to a Victorian in Hudson, Ivy Dane builds a life by carrying her objects—and her eye—from place to place.
By Mary Angeles Armstrong •

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Inside Designer Ivy Dane’s Pattern-Filled Life
Dane’s dining room and parlor are both filled with second-hand treasures. Her Art Deco dining set has been central to multiple iterations of her home. “I’ve had this table since 1990,” says Dane. “This table has seen many a meal, many a poker game, and lots of production work.” The starburst chandelier came from a second-hand office supply store in Austin. “I bought four for $100,” she says. Credit: Winona Barton Ballentine

Inside Designer Ivy Dane’s Pattern-Filled Life

From a Texas bungalow to a Village apartment to a Victorian in Hudson, Ivy Dane builds a life by carrying her objects—and her eye—from place to place.
By Mary Angeles Armstrong •

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Inside Designer Ivy Dane’s Pattern-Filled Life
Dane’s dining room and parlor are both filled with second-hand treasures. Her Art Deco dining set has been central to multiple iterations of her home. “I’ve had this table since 1990,” says Dane. “This table has seen many a meal, many a poker game, and lots of production work.” The starburst chandelier came from a second-hand office supply store in Austin. “I bought four for $100,” she says. Credit: Winona Barton Ballentine
Style

Inside Designer Ivy Dane’s Pattern-Filled Life

From a Texas bungalow to a Village apartment to a Victorian in Hudson, Ivy Dane builds a life by carrying her objects—and her eye—from place to place.
By Mary Angeles Armstrong •