Darlingside Rising: Indie Folk Quartet Brings Harmony to Pittsfield
By Robert Burke Warren
When Rural Intelligence last spoke to Massachusetts-based indie folk band Darlingside, they were upstarts who’d charmed noted producer Nate Kunkel (Maroon 5, James Taylor) into flying from L.A. to produce their debut CD, Pilot Machines, and were thrilled to be opening for The Grand Slambovians at Infinity Hall. Barely a year later, they’ve streamlined and upgraded; now a drummerless quartet – down from a quintet – Darlingside offers a more austere sound and, after a very successful tour with singer-songwriter Heather Maloney, they’ve inked a deal with Maloney’s label, Signature Sounds. Today, RI catches multi-instrumentalist/vocalist Auyon Mukharji, in the studio with his cohorts, putting finishing touches on a soon-to-be-released EP featuring both Darlingside and Maloney, and prepping for a (Maloney-less) gig Friday, Jan. 24 at 8 p.m. at the Garage in Pittsfield. This is an ascending band you want to catch in a small space while you still can.
“Things are getting pretty crazy,” Mukharji says. “We’ve got a lot of great things happening, so we’re assembling a team. We toured as Heather’s band and co-headliner last year, and seeing how well she and her label and booking agents worked together was really instructive. We got to play NPR in Rochester, articles were coming out and we didn’t have to email anyone. It was great.”
Darlingside, who met and formed out of cover bands and a cappella groups at Williams College in 2009, could host a seminar in how to build a career for a successful, touring, merchandise-producing indie band. “In the beginning, we received some good advice,” Mukharji says. “We were told, ‘you don’t want to outsource anything until it becomes too much for you, because no one’s going to care as much as you.’ As much as you can build it yourself, that’s a great thing, because you’re in complete control.”
Still, after amassing an ardent following in the Northeast, self-releasing a breathtaking, award-winning video for Pilot Machines’ “The Ancestor” and wowing the press, the writing was on the wall (and the email load was too great). Time to move up to the next level, where Beirut, Fleet Foxes, and Arcade Fire, all bands to whom Darlingside is compared, await.
“It’s an exciting time for us,” Mukharji says. “Getting a team together is part of the equation of capitalizing on everything.”
Another harbinger of bigger things ahead began as a suggestion from New York Times blogger and music tastemaker Val Haller. Last November, Haller, who recently released an app designed to keep busy folks apprised of new music, hosted a house concert featuring Darlingside-Maloney. As they were packing up, Haller suggested they cover Joni Mitchell’s “Woodstock,” but arrange it like the Crosby-Stills-Nash version, with four-part harmonies. Within days, they did, with violin, banjo, bass and guitars. They filmed their haunting-yet-hopeful performance in one take, incorporating lush, layered vocals around one microphone, old school and authoritative. Upon receiving the stunning video (below), Haller made it the centerpiece of a December New York Times post. Many laudatory comments ensued, and the much-shared clip is pushing 10,000 views on YouTube. Sometime in late spring, the Darlingside-Maloney rendition of the classic paean to the hippie dream, which showcases the band’s impressive vocal prowess and musical versatility – not to mention Maloney’s soaring chops – will be on the forthcoming CD.
But that’s all to come. For now, the quartet brings its original brand of multi-genre songcraft to Pittsfield, where attendees will experience uncommonly tight multi-voiced singing, acoustic pop sensibility, and an exciting live show. “The gig at the Garage is our first time working with the Berkshire Theatre Group, and we’re all looking forward to it,” Mukharji says.
Join the club.
The Garage at Berkshire Theatre Group’s Colonial Theatre
Friday, January 24 at 8 p.m.
Tickets: $15 Advance, $18 Day of Show