Basilica Hudson’s 24-Hour Drone: A Sound And Social Scene
Photo by Matt Charland
By Jamie Larson
A whisper, a warning, a quick snap or an unceasing tone — sound is elemental. Starting Saturday, April 25, at 3 p.m., the waterfront industrial cathedral that is Basilica Hudson will become a “temple of sound” as it embarks on a super collaborative, inaugural event, the 24-Hour Drone: Experiments in Sound and Music.
Drone, simply defined, is a tone or group of tones held for a long period of time, occasionally shifting and evolving, a sound that some find is a mind-altering, meditative experience. From Saturday to Sunday, the Basilica drone event will feature well-known names from the noise, music and sound art world as well as more conventionally understood musicians and even performances on instruments used in religious worship like gongs and Tibetan singing bowls.
Basilica cofounder and celebrated musician in her own right Melissa Auf der Maur admits the Drone may seem like an unusual season opener for the venue. But after five years growing the former glue factory’s reputation as a premier arts and culture venue, it’s time for something truly different to set the tone.
“We were inspired to open our season with an experiment, which represents the heart of our organization,” says Auf der Maur, who runs the Basilica with husband and fellow artist Tony Stone. “This event is the most cutting-edge example of our love of sound and space.”
Auf der Maur said the idea for the event came to her before she even owned the space, when overlooking the imposing Basilica with Bob van Heur, organizer of Le Guess Who?, a four-day experimental sound and music festival that takes place each November in the Netherlands. He also is now the co-host of the Hudson 24-Hour Drone.
“We are interested in the power of sound on its own, outside of music,” Auf der Maur continues, adding she hopes future drone events will run 48 hours. “This is a way to analyze the essence of sound. The power of sound has a history of use in rituals, to help people transcend. There is a metaphysical effect.”
Photo by Bill Stone
A ticket to the 24-Hour Drone gives you a pass to come and go during the event but there will undoubtedly be diehards there for the duration. Food will be available for purchase: dinner Saturday night (the bar will be open) and brunch Sunday morning. The performances will take place in the center of the Basilica’s massive 7,000-square-foot hall and attendees will surround them. People are encouraged to bring mats and anything else needed to remain comfortable during the long-duration experiment.
Some of the most well-known and influential names in noise music as well as local artists will perform in the Drone. The lineup boasts Prurient, one of the genre’s biggest names; Montreal-based futurists SUUNS; Patrick Higgins of ZS, polyglot NYC composer and out-of-the-box classical guitarist; Arone Dyer, of musical duo Buke and Gase; and Randy Gibson, a minimalist composer/performer who creates enveloping and ritualistic works in Just Intonation and many more.
Picture by Matt Charland
One of the more structured, though no less experimental, performances on the schedule will be when the Drone intersects exactly with the 150th anniversary of the very hour President Lincoln’s funeral train stopped in Hudson on April 25, 1865. Organized by local historian Carole Osterink, a reenactment at 8:45 p.m. will set forth from the outdoor grounds of Basilica, cross over the train tracks, and honor Lincoln’s passing with a dirge, sung by women dressed all in white. The original event was reportedly described by the train commander as “one of the weirdest ever witnessed.”
After this beautiful and bizarre temporal convergence, Bobby Previte, a legendary percussionist and exceptional composer/orchestrator in the thriving jazz and experimental music scene will conduct an ensemble of Hudson Valley musicians back in the Basilica. The performance will feature his drone-inspired interpretation of Aaron Copland’s masterpiece, “Lincoln Portrait,” to be narrated by local musical wizard Brian Dewan.
Dewan, who will be performing at different points during the event, will play an instrument he created with his cousin, Leon Dewan, called a Swarmatron. The eerie electro-Theremin-like instrument, which Nine Inch Nails frontman Trent Reznor popularized on his Academy Award-winning soundtrack for The Social Network, is controlled by moving one’s hands over two bands of eight-track ribbon. The device seems well suited for Drone and Dewan, who is better known for his often comic rock-folk. He’s contemplative about his part in the unique event.
“I like the idea that in a drone, which is such a static thing, all the action is in the slight variation. The trick is to have it always mutating,” he says. “[24-Hour Drone] is not a focused experience. It’s more of a sound and social experience than a concert. You’re just steeping in it.”
Saturday, April 25, 8 p.m. - Sunday, April 26, 3 p.m.
$15 Early Bird Tickets, $20 at the door